KIM KHAN is a shapeshifting musician. In his genre-bending performance he uses tap shoes, throat singing, bass, flute, costume and spoken word. He appreciates nuances of formal musicality that he experimentally applies to spiritual whims and ritualistic resonances in unconventional settings.

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KIM will perform an eclectic electronic music performance reflecting on the theme of POINT. He will combine the tap shoes beats and electronic tunes and counteract it with a whimsical Hulusi flute in a noisy, club-spirited show.

Conner Chew is an American performance artist based in Den Haag. He is a graduate of The Juilliard School and is currently a dancer with Netherlands Dans Theater II. In his performance he desires to feel every hesitant touch, every careless swing, or the gentlest caress.

Only My Head Is Left to Slide Around
Conner’s work is a performative installation where his body becomes a medium of interaction between audience members. He positions himself in an unconventional spatial setup, testing what is possible when the performer is led by the audience’s guidance.

In her artistic practice Puck Wacki questions the human perception of human-made systems and machines, such as time. Through sound and poetic installations she examines the tension between the spiritual and the technical. 

Ticking Shadows
Ticking Shadows is a self-played instrument and an installation translating binary data into graphical notation. Time slows down as wax melts, leading the audience into ambiental silence interrupted by loud metallic noises.