28.05.2022
20:30 – 22:00
Het HEM, Zaandam
Tickets HERE
After a 2.5 years hiatus, iii’s nomadic performance series No Patent Pending travels to the resonant industrial hall of Het HEM in Zaandam with a theatrical concert program for bodies and loudspeakers.
Three artists present works in which sensing the relationship between space and time becomes a matter of electronic sound: new instruments, robots and human bodies are the actors dancing in between the two dimensions.
Program:
Cathy van Eck, Song No. 3
Matteo Marangoni, Echo Moiré
Mihalis Shammas, Lyraei
This evening program will follow an afternoon program presented by students of the ArtScience Interfaculty.
Cathy van Eck is a composer, sound artist, and researcher in the arts. She focuses on composing relationships between everyday objects, human performers, and sound. Her artistic work includes performances with live-electronics and installations with sound objects which she often designs herself. She is interested in setting her gestures into unusual and surprising relationships with sounds, mainly by electronic means. The result could be called “performative sound art”, since it combines elements from performance art, electronic music, and visual arts. Song No. 3 is a performance during which arm gestures normally used by singers as a byproduct of their singing performance are used as a means to control electronic sound.
Matteo Marangoni is an artist and community organiser interested in sonic rituals, DIY media and applied utopianism. His artistic practice focuses on creating spatial experiences probing the relationship between subject and object. Echo Moiré is a robotic opera-ballet in which a pair of loudspeaker vehicles is employed to play a room as a musical instrument. Exploring the acoustic properties of the room, the vehicles create aural images that float in the air, enveloping listeners with patterns of echoes rebounding off the walls.
Mihalis Shammas is an artist with a background in architecture, industrial design and music originally from Cyprus and based in The Hague. He graduated in 2021 from the Institute of Sonology, creating a new electro acoustic instrument called Lyraei. A modern electronic interpretation of the ancient greek harp, this is a string instrument that is played as an electronic synthesiser. Electromagnetic induction electronics designed and fabricated by the artist are employed to excite the strings and generate continuous sounds that can be controlled with unprecedented precision. The instrument is designed to create an immersive and physical experience in which the player leads listeners into a state of trance through dense sonic tapestries.
